Across the road the mystic garden stands,
behind high rails, a lawn obscured by palms
and cypress. By a broken pillar, half concealed,
there is an old sepulchre, cracked and ruinous;
with passing time its mystery touches me
and moves my heart to open up its joy.
But one day, returning by a different route,
I see the garden from the other side:
that glimpse of palace, just a block of flats,
the sepulchre, now an empty garage.
The vision’s spoiled, the mystery’s gone.

Which garden really is the truth,
the garden of the heart, or of the head?
If one thinks the brutal is more real,
that garage might be secret gold: shelter
for some tired midnight couple, the woman
gravid, the man shamed by poverty;
then a miracle: two turn into three.
An old car seat, a barrow for a cradle,
a street lamp pure as any distant star,
a vagrant’s crust; all turned to treasure
by full hearts and the eyes of love:
transmutation, or maybe just seeing true.

The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.