We stood in silence in his croft,
as he swayed upon a three-legg'd stool,
in the whiskey-hues of hearth-light
and from his fiddle tore an air,
so low and wistful and so lost,
as to deepen every down-turned eye
and stir the sorrows in the rain.

And Old Nan mumbling on her bench,
who once could blow on knots and sink a ship,
or make a hermit fall in love,
cracked a vacant ruined grin,
unlocked the silver in her throat
and sang the moonlight on a river.

And we the gathered island dead,
all crammed together in the flicker
among the rafters and the drying fish,
between the sacks and well-worn tools,
did not move or moan or give a cry,
to see how song can make a world
from the trash of memory that remains.

Now with the fading of the night,
we're gone like frost-thorns from the pane
and Nan and John are left alone.

In truth there is no heaven yet above,
but hours like these are living things
that minister softly to our needs:
for we ourselves are unheard songs,
that lying out here in the dark,
await the singer who will come
and sing us on his golden tongue.

We glued
her head by
the right cheek to
the mirror she
had loved so much, had
gazed so fondly into, fascinated
by the mirror-face that showed her
new expressions. After much discussion (we didn’t want
to blow it) we inserted
ten acutes of
thin glass triangles
into her blue eyes, so they
fanned from the sockets
like rays. She
had pages
on social networks, with photos of herself
and a boxer
called Joe. Joe’s
dead now, of course
in the hall, beside
the rest
of her. They go everywhere
together, Joe and Jessica. For a while
there was a little
white cloud, or halo
on the glass, where her warmth
rested. We stood and watched, as
slowly, it
departed.