A chain of days puffs from the old smoke stack
of a train that barely makes it up the hill,
and love sits beside me in a third-class seat,
while dreams nod in a corner on their own,
and soul is working somewhere out of sight.
Then I think there's nowhere else I'd rather be,
than on a train that leaves from what I know,
through the undiscovered landscapes of a life,
to that place we all must go to down the line.

As the sun comes tumbling down towards the dark,
the carriages are a flock of golden lights,
and the last points chatter slow as we pull in
to the shadow-casting city in its rose.
The ancient wheels drum-roll us up the platform,
as the old train draws wheezing to a stop
and I hear the engine gasp and then grow quiet.
Then soul steps off to do the thing that souls do,
as we others spot you watching by the gate,
where you've waited all these years to take us home.

The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.