One man sits in the street
and hooks his eyes on those who pass,
then whistles at them in the tongues
of not-quite-familiar birds.

Another wears black leather and a ten-gallon hat,
and shouts about the coming of the Lord
into the nightshade box hidden in his hand.
The smiling woman buying quiche and apples,

who’s kept herself in trim for Mr Right,
will go to bed tonight and slit her throat.
And I write poetry, and poetry
walks along the edge of all such things

and sometimes the temptation’s there
to step quickly over the line
into the path of what comes roaring out of the dark.
But for now I’ll start another poem,

shut behind my crimson door,
while up the street the man has found
a strange new bird of paradise,
and the Lord has come just a little closer

and a small black choir sings in the woman’s mouth,
like the sound of distant shorelines
endlessly reshaping
in the rage where land encounters the sea.

When I was a boy cycling home from school
on evenings in late summer when the drizzle fell,
I would stop and walk naked in an ancient wood I had to pass —
warm pools and sopping leaves beneath my feet,
scents of wet earth and early fungus on the air—
until I reached a certain tree-trunk lying on its side,
barkless and smooth as bone, luscious with dark slime.

Such excitements I had there, gripping the tree with my legs,
tight with blood, sliding slowly, my mind conjuring
the creature that dwelt within; her smiles and textures:
tangles of fine roots stinking of leaf-mould,
dark fruit heavy in the hands,
a sticky trumpet flower, its stamen a thick curl,
bright pollen crusting on my groin.

Later, my body washed in the soft rain, I dressed
and cycled furiously home to mum, for hot tea and brown eggs,
that I opened like the summer with my spoon.