Echo, song and smoking wax make up the church entire,
as he gives himself to silent hands that take him
trusting to the bread and wine...
He turns over in his bed intrigued
at how his dying mind in its own way
gives him what his spirit needs.

He has a songbird in a cage,
blinded to improve her song,
who like the soul imprisoned in his skin,
made herself forget the skies
and the flowered forests of her home,
though underneath the sweetness of her song,
he hears her pine for some long lost love.

He likes to try to guess the world of sight:
the soil opening wide its many mouths
to receive the swaddled dead,
or the way the wings of his guardian angel
surely fill this room, as she sits beside his bed
watching him with eyes of stars.

In the end no angel came for him,
but a faun gripped him like a lover
and drew him out as joy leaping
self-forgotten through fields that blazed
like windows in the church of summer,
till he whirled to one who cried his name
and flew like a bird through his heart of flowers.

Across the road the mystic garden stands,
behind high rails, a lawn obscured by palms
and cypress. By a broken pillar, half concealed,
there is an old sepulchre, cracked and ruinous;
with passing time its mystery touches me
and moves my heart to open up its joy.
But one day, returning by a different route,
I see the garden from the other side:
that glimpse of palace, just a block of flats,
the sepulchre, now an empty garage.
The vision’s spoiled, the mystery’s gone.

Which garden really is the truth,
the garden of the heart, or of the head?
If one thinks the brutal is more real,
that garage might be secret gold: shelter
for some tired midnight couple, the woman
gravid, the man shamed by poverty;
then a miracle: two turn into three.
An old car seat, a barrow for a cradle,
a street lamp pure as any distant star,
a vagrant’s crust; all turned to treasure
by full hearts and the eyes of love:
transmutation, or maybe just seeing true.