When mummy died, daddy married auntie.
She said she'd loved him from the very first
and since she'd known her sister inside out,
would make a fine new mum for us.
She'd even been there at the accident,
when mum was looking down at her new shoes
and didn't see the truck in time.

Once when auntie was cooking dinner,
she told us how pretty mum had been,
how men had always had an eye for her,
though she dressed too much in flirty stuff.
Then auntie took a package from the fridge,
and said that mum had made herself a shroud
when she was young, in preparation for her death.

Then she pulled away the white wrappings
and exposed the pale thighs and young breasts,
and filled the bird with sticky cherry.
Came in very handy that did, she said,
bending down with the roasting tin.
We put her in it for her cremation,
she really looked her best just then, she grinned,
as the oven door clicked shut.

One man sits in the street
and hooks his eyes on those who pass,
then whistles at them in the tongues
of not-quite-familiar birds.

Another wears black leather and a ten-gallon hat,
and shouts about the coming of the Lord
into the nightshade box hidden in his hand.
The smiling woman buying quiche and apples,

who’s kept herself in trim for Mr Right,
will go to bed tonight and slit her throat.
And I write poetry, and poetry
walks along the edge of all such things

and sometimes the temptation’s there
to step quickly over the line
into the path of what comes roaring out of the dark.
But for now I’ll start another poem,

shut behind my crimson door,
while up the street the man has found
a strange new bird of paradise,
and the Lord has come just a little closer

and a small black choir sings in the woman’s mouth,
like the sound of distant shorelines
endlessly reshaping
in the rage where land encounters the sea.