A chain of days puffs from the old smoke stack
of a train that barely makes it up the hill,
and love sits beside me in a third-class seat,
while dreams nod in a corner on their own,
and soul is working somewhere out of sight.
Then I think there's nowhere else I'd rather be,
than on a train that leaves from what I know,
through the undiscovered landscapes of a life,
to that place we all must go to down the line.

As the sun comes tumbling down towards the dark,
the carriages are a flock of golden lights,
and the last points chatter slow as we pull in
to the shadow-casting city in its rose.
The ancient wheels drum-roll us up the platform,
as the old train draws wheezing to a stop
and I hear the engine gasp and then grow quiet.
Then soul steps off to do the thing that souls do,
as we others spot you watching by the gate,
where you've waited all these years to take us home.

I recall some rusty nails, three or four,
in the top right-hand drawer
of an oak desk in my uncle's house.

And that dull pair of shoes he used to wear,
bought for gardening from an Oxfam shop,
their ancient leather hard as bakelite,

that he wore until the soles were gone.
They were also worn by another then long dead
and nameless, save to strangers far away:

for we felt someone there we couldn't see,
that rose from the life the shoes had led
before they came into my uncle's home.

And when he died I found those hand-wrought nails,
all wrapped with muslin, very old,
and wondered what their hidden history was

and what they might have pierced so long ago.
Then I knew someone else was standing near,
out of sight but with a hammer in his hand,

who reached for me from suffering and love
and knew my heart was lamed and broken down,
like some old horse that's never known a shoe.