The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.

Miss Johnson sat on the palms of my hands,
inside a membrane that I peeled away.
She was a bit like a plucked hen,
her head was the size of a plum
and she wore her wattles like a hat.

There was nothing of the fairy about her,
she was vulnerable, but had no delicacy.
I gave her the little room under the stairs,
where she slept on a cushion in an old wicker basket
and used a lace hankie to cover herself.

She was fond of müsli and grapes
with croutons fried in bacon fat,
and she drank her milk from an eggcup.
Once, I disturbed her toilet under a buddleia
and felt ashamed. She liked to watch television,
especially old John Wayne films, which made her laugh,
even when John was being serious.

She stayed with me for more than a year,
then went off one day with a salesman
and I never saw her again.
Sometimes I use her eggcup at breakfast
and remember the times we shared.
I hope she’s all right.