The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.

When I was a boy cycling home from school
on evenings in late summer when the drizzle fell,
I would stop and walk naked in an ancient wood I had to pass —
warm pools and sopping leaves beneath my feet,
scents of wet earth and early fungus on the air—
until I reached a certain tree-trunk lying on its side,
barkless and smooth as bone, luscious with dark slime.

Such excitements I had there, gripping the tree with my legs,
tight with blood, sliding slowly, my mind conjuring
the creature that dwelt within; her smiles and textures:
tangles of fine roots stinking of leaf-mould,
dark fruit heavy in the hands,
a sticky trumpet flower, its stamen a thick curl,
bright pollen crusting on my groin.

Later, my body washed in the soft rain, I dressed
and cycled furiously home to mum, for hot tea and brown eggs,
that I opened like the summer with my spoon.