When mummy died, daddy married auntie.
She said she'd loved him from the very first
and since she'd known her sister inside out,
would make a fine new mum for us.
She'd even been there at the accident,
when mum was looking down at her new shoes
and didn't see the truck in time.

Once when auntie was cooking dinner,
she told us how pretty mum had been,
how men had always had an eye for her,
though she dressed too much in flirty stuff.
Then auntie took a package from the fridge,
and said that mum had made herself a shroud
when she was young, in preparation for her death.

Then she pulled away the white wrappings
and exposed the pale thighs and young breasts,
and filled the bird with sticky cherry.
Came in very handy that did, she said,
bending down with the roasting tin.
We put her in it for her cremation,
she really looked her best just then, she grinned,
as the oven door clicked shut.

The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.