My Uncle Giuseppe told me
that in Sicily in World War Two,
in the courtyard behind the aquarium,
where the bougainvillea grows so well,
the only captive mermaid in the world
was butchered on the dry and dusty ground
by a doctor, a fishmonger, and certain others.

She, it, had never learned to speak
because she was simple, or so they’d said,
but the priest who held one of her hands
while her throat was cut,
said she was only a fish, and fish can’t speak.
But she screamed like a woman in terrible fear.

And when they took a ripe golden roe
from her side, the doctor said
this was proof she was just a fish
and anyway an egg is not a child,
but refused when some was offered to him.

Then they put her head and her hands
in a box for burial
and someone tried to take her wedding ring,
but the others stopped him,
and the ring stayed put.

The rest they cooked and fed to the troops.
They said a large fish had been found on the beach.

Starvation forgives men many things,
my uncle, the aquarium keeper, said,
but couldn’t look me in the eye,
for which I thank God.

An old woman weeds a grave,
beneath a hush of ancient trees,
her brown hands so gentle with this soil.

And she thinks of all the love that’s flown:
those proud dandelions of the sun,
turned to stooping worlds of grey,

then blown to ghosts upon the wind,
so love anew might grow again,
though far away, and not for her.

And in her heart she cries for love —
and Something hears, then someone comes:
he strides the graves on tall green stilts,

his hair a swirl of shining gold
and lifts her in his furry arms
up the stairs of a graveyard house.

He sings his song in a voice like cream,
as he climbs on past the roofs and hills,
heedless of the winds that roar,

that sway the stairs beyond the stars.
Then he comes at last to a fire-lit room
and howls with love and slams the door.