A chain of days puffs from the old smoke stack
of a train that barely makes it up the hill,
and love sits beside me in a third-class seat,
while dreams nod in a corner on their own,
and soul is working somewhere out of sight.
Then I think there's nowhere else I'd rather be,
than on a train that leaves from what I know,
through the undiscovered landscapes of a life,
to that place we all must go to down the line.

As the sun comes tumbling down towards the dark,
the carriages are a flock of golden lights,
and the last points chatter slow as we pull in
to the shadow-casting city in its rose.
The ancient wheels drum-roll us up the platform,
as the old train draws wheezing to a stop
and I hear the engine gasp and then grow quiet.
Then soul steps off to do the thing that souls do,
as we others spot you watching by the gate,
where you've waited all these years to take us home.

We stood in silence in his croft,
as he swayed upon a three-legg'd stool,
in the whiskey-hues of hearth-light
and from his fiddle tore an air,
so low and wistful and so lost,
as to deepen every down-turned eye
and stir the sorrows in the rain.

And Old Nan mumbling on her bench,
who once could blow on knots and sink a ship,
or make a hermit fall in love,
cracked a vacant ruined grin,
unlocked the silver in her throat
and sang the moonlight on a river.

And we the gathered island dead,
all crammed together in the flicker
among the rafters and the drying fish,
between the sacks and well-worn tools,
did not move or moan or give a cry,
to see how song can make a world
from the trash of memory that remains.

Now with the fading of the night,
we're gone like frost-thorns from the pane
and Nan and John are left alone.

In truth there is no heaven yet above,
but hours like these are living things
that minister softly to our needs:
for we ourselves are unheard songs,
that lying out here in the dark,
await the singer who will come
and sing us on his golden tongue.