That last summer I helped Billy
clear out his dead gran's meagre house.
And there amid the leavings of her life,
found rows of richness on a shelf,

all glowing in their stoppered glass,
like memories of summers gone:
lavender water, otto of rose,
scents of lily and blossom of peach,

mimosa essence and daffodil,
all once garnered mote by mote,
from blooms that coloured fields and hills.
Billy said she'd hoped to meet a man,

to replace his grandpa who had died so young,
she said she'd wear this stuff for him,
as they danced as one beneath the moon;
but no man came, and she died alone.

We shouldn't throw all this away I said,
it's like a hope for distant days, for something good,
so many flowers grew that this might be——
Plenty more where that came from he said,

and broke apart the ancient seals,
then held the bottles high above the sink
and let love's sweetness run away,
into the dark among forgotten things.

One man sits in the street
and hooks his eyes on those who pass,
then whistles at them in the tongues
of not-quite-familiar birds.

Another wears black leather and a ten-gallon hat,
and shouts about the coming of the Lord
into the nightshade box hidden in his hand.
The smiling woman buying quiche and apples,

who’s kept herself in trim for Mr Right,
will go to bed tonight and slit her throat.
And I write poetry, and poetry
walks along the edge of all such things

and sometimes the temptation’s there
to step quickly over the line
into the path of what comes roaring out of the dark.
But for now I’ll start another poem,

shut behind my crimson door,
while up the street the man has found
a strange new bird of paradise,
and the Lord has come just a little closer

and a small black choir sings in the woman’s mouth,
like the sound of distant shorelines
endlessly reshaping
in the rage where land encounters the sea.