Homewards, I pass our local monastery,
small windows pour light onto the dark:
monks in contemplation in their cells.
As I reach my home and turn the key,
the town winks out behind my back.

I love the winter power-cuts, when I dream of bees
and the summer days I sunbathe in the garden,
nostalgic then for winter ghosts and hearth-fires,
and all around the drone among the flowers:
a gathering in before the days begin to cool.

In the kitchen, I strike matches; candles blaze.
Then spread thick slices with the glinting bronze
dripped from autumn’s cloistered honeycombs,
whose wax like solid silence lifts the light:
a dozen summers on the candles’ lips.

The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.