Homewards, I pass our local monastery,
small windows pour light onto the dark:
monks in contemplation in their cells.
As I reach my home and turn the key,
the town winks out behind my back.

I love the winter power-cuts, when I dream of bees
and the summer days I sunbathe in the garden,
nostalgic then for winter ghosts and hearth-fires,
and all around the drone among the flowers:
a gathering in before the days begin to cool.

In the kitchen, I strike matches; candles blaze.
Then spread thick slices with the glinting bronze
dripped from autumn’s cloistered honeycombs,
whose wax like solid silence lifts the light:
a dozen summers on the candles’ lips.

Echo, song and smoking wax make up the church entire,
as he gives himself to silent hands that take him
trusting to the bread and wine...
He turns over in his bed intrigued
at how his dying mind in its own way
gives him what his spirit needs.

He has a songbird in a cage,
blinded to improve her song,
who like the soul imprisoned in his skin,
made herself forget the skies
and the flowered forests of her home,
though underneath the sweetness of her song,
he hears her pine for some long lost love.

He likes to try to guess the world of sight:
the soil opening wide its many mouths
to receive the swaddled dead,
or the way the wings of his guardian angel
surely fill this room, as she sits beside his bed
watching him with eyes of stars.

In the end no angel came for him,
but a faun gripped him like a lover
and drew him out as joy leaping
self-forgotten through fields that blazed
like windows in the church of summer,
till he whirled to one who cried his name
and flew like a bird through his heart of flowers.