I used a pin of mistletoe
to unbubble a group of seated men,
who smelled of pipes and musky tweed
and tied small bones with the hair of dolls.

‘These are the bones of yourself as a bird
and we are your cupboard uncles.
We will guide you down the ways of life,
taking the roles of all your loves
and show you joy and the hard in red
to make you forget your sins in cloud.
Now, my dear, it’s two o´clock,
time for nuts and scented oil.’

But I saw that they had the gaze of owls
and midnight crouched in their horny smiles,
so I fled to the house by a shadeless route
and stamped in every sky-filled pool,
surrounding myself with suns in drops.

Now ravens walk on the distant lawns
and discharge their calls in the moving air,
and still I see in the looking-glass
the unfortunate whistling face.

We stood in silence in his croft,
as he swayed upon a three-legg'd stool,
in the whiskey-hues of hearth-light
and from his fiddle tore an air,
so low and wistful and so lost,
as to deepen every down-turned eye
and stir the sorrows in the rain.

And Old Nan mumbling on her bench,
who once could blow on knots and sink a ship,
or make a hermit fall in love,
cracked a vacant ruined grin,
unlocked the silver in her throat
and sang the moonlight on a river.

And we the gathered island dead,
all crammed together in the flicker
among the rafters and the drying fish,
between the sacks and well-worn tools,
did not move or moan or give a cry,
to see how song can make a world
from the trash of memory that remains.

Now with the fading of the night,
we're gone like frost-thorns from the pane
and Nan and John are left alone.

In truth there is no heaven yet above,
but hours like these are living things
that minister softly to our needs:
for we ourselves are unheard songs,
that lying out here in the dark,
await the singer who will come
and sing us on his golden tongue.