The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.

The bus is full and thick with fug:
we’re all bundled up for winter. I take a hankie
from my pocket and wipe the misty window.
A young woman standing at a bus stop looks up at me
and I’m back in last summer’s Luxembourg Gardens,

where a young woman standing by a hedge
drops her jeans and underwear,
bends at the waist and grips her knees —
a long rope of urine shoots out of her in a glittering arc
and drums loudly on the lawn behind.
I look away, but later wish I hadn’t.

The bus stops and everyone get out:
old women who can raise storms,
children who can jump and count up to sixty,
men who know the name of the next winning horse
and smell of smoke, mums with covered prams.
I may never see them again, but their breath
is tucked in my pocket, soaking my handkerchief.