One man sits in the street
and hooks his eyes on those who pass,
then whistles at them in the tongues
of not-quite-familiar birds.

Another wears black leather and a ten-gallon hat,
and shouts about the coming of the Lord
into the nightshade box hidden in his hand.
The smiling woman buying quiche and apples,

who’s kept herself in trim for Mr Right,
will go to bed tonight and slit her throat.
And I write poetry, and poetry
walks along the edge of all such things

and sometimes the temptation’s there
to step quickly over the line
into the path of what comes roaring out of the dark.
But for now I’ll start another poem,

shut behind my crimson door,
while up the street the man has found
a strange new bird of paradise,
and the Lord has come just a little closer

and a small black choir sings in the woman’s mouth,
like the sound of distant shorelines
endlessly reshaping
in the rage where land encounters the sea.

There is a dark place in my eye,
like a thread, or limb of mind,
that wavers when I turn to see,
though a mirror shows there’s nothing there.

I looked upon a bowl of flowers,
with my eye towards its heart
and saw the blossoms fold in two
and vanish in a stick of light,
as if a hinge had folded shut.

Then it all flowed back again:
the bowl of flowers was on the shelf.
But after that I found the scent
of every living thing had changed.

I went into a market square,
a festive day of wind-borne kites,
and gazed upon the busy stalls
and watched the people fall to dust
till just a field of flowers remained.

But one pale woman still stood there,
so lovely as to stop my breath,
for all her hair was full of smiles,
her glance as long as winter night.

I stood among those deep-hued flowers,
in the silence of the sun,
all wrapped about with winking hair,
with kisses twitching through my limbs,
so stunned I couldn’t move at all.

Then the market place came back,
and people laughed and toiled once more.
And now the world around me turns,
while a gorgon preens beneath my skin.