A chain of days puffs from the old smoke stack
of a train that barely makes it up the hill,
and love sits beside me in a third-class seat,
while dreams nod in a corner on their own,
and soul is working somewhere out of sight.
Then I think there's nowhere else I'd rather be,
than on a train that leaves from what I know,
through the undiscovered landscapes of a life,
to that place we all must go to down the line.

As the sun comes tumbling down towards the dark,
the carriages are a flock of golden lights,
and the last points chatter slow as we pull in
to the shadow-casting city in its rose.
The ancient wheels drum-roll us up the platform,
as the old train draws wheezing to a stop
and I hear the engine gasp and then grow quiet.
Then soul steps off to do the thing that souls do,
as we others spot you watching by the gate,
where you've waited all these years to take us home.

Across the road the mystic garden stands,
behind high rails, a lawn obscured by palms
and cypress. By a broken pillar, half concealed,
there is an old sepulchre, cracked and ruinous;
with passing time its mystery touches me
and moves my heart to open up its joy.
But one day, returning by a different route,
I see the garden from the other side:
that glimpse of palace, just a block of flats,
the sepulchre, now an empty garage.
The vision’s spoiled, the mystery’s gone.

Which garden really is the truth,
the garden of the heart, or of the head?
If one thinks the brutal is more real,
that garage might be secret gold: shelter
for some tired midnight couple, the woman
gravid, the man shamed by poverty;
then a miracle: two turn into three.
An old car seat, a barrow for a cradle,
a street lamp pure as any distant star,
a vagrant’s crust; all turned to treasure
by full hearts and the eyes of love:
transmutation, or maybe just seeing true.