I went to bed with a wandering girl,
her dark hair shone with glints of moon
and we played at love in my room of red,
till midnight rang and the stars came down.
When we went to sleep I gladly dreamed
that we played at love in a room of green.

But in that dream I fell asleep
and dreamt we lay in a room of black,
then the black door opened and a man stood there:
It is my husband screamed the girl,
the one I've feared for seven years,
he's come to take my soul from me.

We woke at once in the room of green,
My soul has gone! she cried in fear,
then the green door opened and a man came in:
It is my husband shrieked the girl,
The one I've fled these seven years,
he's come to take my love from me.

And when we woke in the room of red,
she trembled as she clung to me:
O husband where's my lover gone?
I looked around, no word I said,
but rent her limbs with smoking hands,
then closed the door on that room so red.

The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.