That last summer I helped Billy
clear out his dead gran's meagre house.
And there amid the leavings of her life,
found rows of richness on a shelf,

all glowing in their stoppered glass,
like memories of summers gone:
lavender water, otto of rose,
scents of lily and blossom of peach,

mimosa essence and daffodil,
all once garnered mote by mote,
from blooms that coloured fields and hills.
Billy said she'd hoped to meet a man,

to replace his grandpa who had died so young,
she said she'd wear this stuff for him,
as they danced as one beneath the moon;
but no man came, and she died alone.

We shouldn't throw all this away I said,
it's like a hope for distant days, for something good,
so many flowers grew that this might be——
Plenty more where that came from he said,

and broke apart the ancient seals,
then held the bottles high above the sink
and let love's sweetness run away,
into the dark among forgotten things.

The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.